I just got back from shooting in New Brunswick, where the temperature was a delightfully crisp minus 15 degrees. And do you hear me complaining?
No you don’t.
The reason? Well, okay, we were shooting inside. But that doesn’t mean I didn’t have to walk from the hotel to the car or from the car to the location. One time, I even crossed an entire parking lot, plus a drive-through lane, to go into an A&W Root Beer Shop to use their washroom.
Hell, I was so comfortable that I walked the entire length of Main Street in Moncton one morning, from the traffic circle on one end almost all the way to the traffic circle at the other. And back.
I attribute it all to the hat you see in the picture. A shearling hat, with fuzzy sheep’s wool on the inside and ear flaps that –– to my eyes –– look a little like wings. Wings of mercy that come down and cradle my delicate ears.
We were shooting interiors, but we could have shot exteriors. I wouldn’t have minded. I was comfortable.
The shoot went great, by the way. And that’s the lesson for today: Shoots go smoother when the director is comfortable.
Some directors take this to an extreme. They have a hard time concentrating if they don’t get exotic fare at the craft service table, nubile assistants of the appropriate gender and eagerness to please, and a coterie of fawning sycophants to stroke their very fragile egos.
For me, on this job, all it took was a hat.